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Videographer · Editor · Colourist — Rabat

I shoot, edit and colour grade video from script to final file. Product films, gym and lifestyle content, and ad creative for brands in Morocco and abroad, cut knowing what has to happen in the first three seconds.

  • Behind a camera since 2018
  • 3 brands on retainer
  • Darija · Arabic · French · English

Trusted by brands in Casablanca, Rabat and Ontario

  • Opal Ergo
  • Go Gainz Club
  • UGC Social
  • Product films
  • Brand content
  • Ad creative
  • Colour grading
  • Social management
Showreel 2026 The short version of six years of work.

Selected work

A mix of studio product work, vertical social content and paid creative. Every piece was shot, cut or graded by me, most of them all three.

  • Product Film 2025

    Standing Desk Launch

    Opal Ergo · Shoot · Edit · Grade

    Studio product film for an ergonomic standing desk. Lit, shot and graded in house, then recut into a shorter version for paid social.

  • Product Film 2025

    Ergonomic Chair Series

    Opal Ergo · Shoot · Edit · Grade

    A run of product films covering the chair range, built so each one drops straight onto its own product page.

  • Brand Content 2025

    Facility Tour

    Go Gainz Club · Shoot · Edit · Social

    Vertical walkthrough of the gym floor in Darija, cut for the feed and for stories.

  • Campaign 2025

    Ramadan Membership Push

    Go Gainz Club · Concept · Shoot · Edit

    Seasonal campaign for the Ramadan membership offer: script, shoot, edit and the promo creatives that ran alongside it.

  • Ad Creative 2024

    Beauty UGC Ad Set

    UGC Social · Ontario · Edit · Sound

    A batch of UGC ad creatives for a DTC beauty brand, cut to agency brief on a short turnaround.

  • Product Film 2024

    Supplement Feature

    Go Gainz Club · Shoot · Edit · Grade

    Tabletop supplement film with a graded look that carries across the whole product line.

Services

From the first idea to the file that goes live. Book the whole thing or just the part you need.

  • 01

    Shooting

    Sony bodies, DJI gimbals, lighting and location sound. I own and look after my own kit, so a shoot day is one call, not three.

    • Sony
    • DJI Gimbal
    • Lighting
    • Location Sound
  • 02

    Editing

    Premiere Pro and Final Cut for the cut, Audition for the audio. Every job gets a version for the page and a version for the feed.

    • Premiere Pro
    • Final Cut Pro
    • Audition
  • 03

    Colour

    Grading in DaVinci Resolve. Matched shots, a look that holds across a whole product line, and delivery files that survive compression.

    • DaVinci Resolve
    • Look Dev
    • Shot Matching
  • 04

    Concept & Ads

    Scripts, hooks and thumbnails, plus the Meta and Google Ads side. I cut knowing what has to land in the first three seconds.

    • Scripting
    • Meta Ads
    • Google Ads
    • Thumbnails

Why work with me

A good-looking video that nobody finishes is still a bad video. Every decision, from the first frame to the export settings, is made for the place it will be watched.

  • Cut for the first three seconds

    I run Meta and Google Ads for some of my clients, so I see what a video does after it goes live. The opening isn't a warm-up, it's the whole job.

  • One person, one conversation

    The person you brief is the person holding the camera and the person grading the footage. Nothing gets lost between departments.

  • Built for the page and the feed

    Every job leaves with the versions it needs: 16:9 for the website, 9:16 for Reels and Stories, square where it helps.

  • Fluent in your audience

    Scripts and on-camera work in Darija, Arabic, French and English, so the video sounds like it was made for the people watching it.

How it works

No surprises in the middle. You know what's being shot, when, and what lands in your inbox at the end.

  1. 01

    Brief

    What the video has to do, who sees it, and where it ends up.

  2. 02

    Script & Board

    The concept, the hook, and a shot list before anyone picks up a camera.

  3. 03

    Shoot

    My kit, my crew, your location. One day, everything covered.

  4. 04

    Post

    Cut, grade, sound, and every aspect ratio you need. Two rounds of revisions.

Vs. the alternative

Who you talk to Maker Z Visuals: The person shooting, cutting and grading your video A typical production company: An account manager who relays notes to the crew
Shoot day Maker Z Visuals: One call: camera, gimbal, lighting and sound are my own kit A typical production company: Crew and kit hire booked and billed separately
Post-production Maker Z Visuals: Edit, colour and sound handled in one place A typical production company: Handed between editor, colourist and mixer
Formats Maker Z Visuals: Website and social cuts planned from the brief A typical production company: Extra aspect ratios often quoted as add-ons
After delivery Maker Z Visuals: I see how ads perform and cut the next one with that in mind A typical production company: The job usually ends at the final file

About

Based in
Rabat, Morocco · available to travel
Languages
Moroccan Darija, Arabic, English, French

I picked up a camera in 2018 and have been freelancing under Maker Z Visuals ever since.

What started as filming for friends turned into steady work for brands that needed someone who could handle the whole thing — the idea, the shoot day, the cut and the grade — without a production company attached to it.

These days that mostly means product films for an ergonomic furniture brand in Casablanca, everything video for a gym and supplement retailer whose social accounts I also run, and ad creative for a UGC agency in Ontario. Three very different briefs, which is the part I like.

Because I run Meta and Google Ads for some of those clients, I see what happens after a video goes live. That changes how I cut: the first three seconds aren't a warm-up, they're the whole job. I'm comfortable in front of the camera as well as behind it.

  • 2018 Behind a camera since
  • 3 Brands on retainer
  • 7K Followers managed
  • 4 Languages spoken

Currently working with

  • Opal Ergo

    Ongoing

    Ergonomic office furniture · Casablanca

    Product video end to end — standing desks, chairs, monitor arms. Separate cuts for the website and for paid social.

  • Go Gainz Club

    Ongoing

    Gym & supplement retailer

    All video plus the social accounts themselves, around 7,000 followers. Vertical content in Darija and French, and I decide what goes out and when.

  • UGC Social

    Ongoing

    UGC production agency · Ontario, Canada

    Editing UGC ad creatives for DTC clients in beauty, fashion and jewellery. Remote, to brief, a batch at a time.

FAQ

Something not covered here? Message me and you'll get a straight answer, usually the same day.

What kind of video do you make?

Mostly three things: product films for e-commerce and brand sites, vertical content for gyms, lifestyle and retail brands, and ad creative for paid social. If it needs a camera, an edit and a grade, it's probably a fit.

Can you just edit footage I already have?

Yes. A good share of my work is edit-only, including UGC ad creative for an agency in Canada. Send the rushes and the brief and I'll handle the cut, colour and sound.

Do you work outside Rabat?

I'm based in Rabat and travel for shoots across Morocco. Editing and grading work remotely for clients anywhere.

How many revisions are included?

Two rounds of revisions are built into every job. Most projects land in one, because the script and shot list are agreed before the shoot.

What do I get at the end?

Final files in every aspect ratio we planned for, exported for the platforms they're going to, so they hold up after compression.

Can you run the social accounts or ads too?

For some clients, yes. I manage the social accounts for Go Gainz Club and run Meta and Google Ads alongside the video. Ask and we'll see if it makes sense for you.

How is a project priced?

Every job is quoted from the brief: what the video has to do, how many deliverables, and whether there's a shoot. Send me the details and I'll come back with an approach, a timeline and a price, usually the same day.

Contact

Tell me what the video has to do and where it's going to live. I'll come back with an approach, a timeline and a price, usually the same day.