Coming soon
Product Film 2025
Standing Desk Launch
Opal Ergo · Shoot · Edit · Grade
Studio product film for an ergonomic standing desk. Lit, shot and graded in house, then recut into a shorter version for paid social.
Videographer · Editor · Colourist — Rabat
I shoot, edit and colour grade video from script to final file. Product films, gym and lifestyle content, and ad creative for brands in Morocco and abroad, cut knowing what has to happen in the first three seconds.
Trusted by brands in Casablanca, Rabat and Ontario
Selected work
A mix of studio product work, vertical social content and paid creative. Every piece was shot, cut or graded by me, most of them all three.
Services
From the first idea to the file that goes live. Book the whole thing or just the part you need.
Sony bodies, DJI gimbals, lighting and location sound. I own and look after my own kit, so a shoot day is one call, not three.
Premiere Pro and Final Cut for the cut, Audition for the audio. Every job gets a version for the page and a version for the feed.
Grading in DaVinci Resolve. Matched shots, a look that holds across a whole product line, and delivery files that survive compression.
Scripts, hooks and thumbnails, plus the Meta and Google Ads side. I cut knowing what has to land in the first three seconds.
Why work with me
A good-looking video that nobody finishes is still a bad video. Every decision, from the first frame to the export settings, is made for the place it will be watched.
I run Meta and Google Ads for some of my clients, so I see what a video does after it goes live. The opening isn't a warm-up, it's the whole job.
The person you brief is the person holding the camera and the person grading the footage. Nothing gets lost between departments.
Every job leaves with the versions it needs: 16:9 for the website, 9:16 for Reels and Stories, square where it helps.
Scripts and on-camera work in Darija, Arabic, French and English, so the video sounds like it was made for the people watching it.
How it works
No surprises in the middle. You know what's being shot, when, and what lands in your inbox at the end.
What the video has to do, who sees it, and where it ends up.
The concept, the hook, and a shot list before anyone picks up a camera.
My kit, my crew, your location. One day, everything covered.
Cut, grade, sound, and every aspect ratio you need. Two rounds of revisions.
Vs. the alternative
About
I picked up a camera in 2018 and have been freelancing under Maker Z Visuals ever since.
What started as filming for friends turned into steady work for brands that needed someone who could handle the whole thing — the idea, the shoot day, the cut and the grade — without a production company attached to it.
These days that mostly means product films for an ergonomic furniture brand in Casablanca, everything video for a gym and supplement retailer whose social accounts I also run, and ad creative for a UGC agency in Ontario. Three very different briefs, which is the part I like.
Because I run Meta and Google Ads for some of those clients, I see what happens after a video goes live. That changes how I cut: the first three seconds aren't a warm-up, they're the whole job. I'm comfortable in front of the camera as well as behind it.
Currently working with
Ergonomic office furniture · Casablanca
Product video end to end — standing desks, chairs, monitor arms. Separate cuts for the website and for paid social.
Gym & supplement retailer
All video plus the social accounts themselves, around 7,000 followers. Vertical content in Darija and French, and I decide what goes out and when.
UGC production agency · Ontario, Canada
Editing UGC ad creatives for DTC clients in beauty, fashion and jewellery. Remote, to brief, a batch at a time.
FAQ
Something not covered here? Message me and you'll get a straight answer, usually the same day.
Mostly three things: product films for e-commerce and brand sites, vertical content for gyms, lifestyle and retail brands, and ad creative for paid social. If it needs a camera, an edit and a grade, it's probably a fit.
Yes. A good share of my work is edit-only, including UGC ad creative for an agency in Canada. Send the rushes and the brief and I'll handle the cut, colour and sound.
I'm based in Rabat and travel for shoots across Morocco. Editing and grading work remotely for clients anywhere.
Two rounds of revisions are built into every job. Most projects land in one, because the script and shot list are agreed before the shoot.
Final files in every aspect ratio we planned for, exported for the platforms they're going to, so they hold up after compression.
For some clients, yes. I manage the social accounts for Go Gainz Club and run Meta and Google Ads alongside the video. Ask and we'll see if it makes sense for you.
Every job is quoted from the brief: what the video has to do, how many deliverables, and whether there's a shoot. Send me the details and I'll come back with an approach, a timeline and a price, usually the same day.
Contact
Tell me what the video has to do and where it's going to live. I'll come back with an approach, a timeline and a price, usually the same day.